CLOCK.
There was a time when screendance implied a dancing body.
“CLOCK.” is a spin on Constantini Georgescu's Spin (2009), implementing the theory of Radical Screendance by Anne Heighway. What is “the dance” in screendance now that the body has left center stage, and do audiences have the requisite concepts to identify and appreciate works that have outgrown traditional models?
Directors & Choreography:
Brian Toh
Tan Su Yan
Cinematographers:
Brian Toh
Music:
II. Adagio & III. Allegro performed by Advent Chamber Orchestra (2006), published by Pandora Records/Al Goldstein Archive